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- <text id=93TT2409>
- <title>
- Feb. 01, 1993: Reviews:Short Takes
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Feb. 01, 1993 Clinton's First Blunder
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 71
- Short Takes
- </hdr>
- <body>
- <p> MUSIC
- </p>
- <p> Bringing Back Bedroom Ballads
- </p>
- <p> When End of the Road, a soulful ballad by the group Boyz
- II Men, topped the pop-singles chart for 13 straight weeks last
- fall, it did more than break a record held by Elvis Presley. It
- certified the arrival, among young black musicians, of a
- soothing yin to the rambunctious yang of rap. Now album after
- album is filled with street-corner harmonies and bedroom
- ballads from groups with names like Portrait and Silk. At the
- head of this wave is SHAI, a quartet of former Howard University
- students whose hot-selling debut album is called If I Ever Fall
- in Love. The group bills itself as neo-Motown, but its seductive
- lyrics and lush orchestrations owe an even greater debt to the
- pillow-talk serenades that Barry White and Isaac Hayes crooned
- back in the 1970s.
- </p>
- <p> MUSIC
- </p>
- <p> Animal Magnetism
- </p>
- <p> Apart from a meaty acting role, nothing attracts the big
- names of Hollywood like a high-profile disease or environmental
- cause. In a We Are the World-style tribute to the animal
- kingdom, Charlton Heston, Lily Tomlin and Lynn Redgrave are
- among the stars who lend their voices to a delightful new
- recording of Saint-Saens's CARNIVAL OF THE ANIMALS (Dove Audio),
- performed by the Hollywood Chamber Orchestra, with verses by
- Ogden Nash. Joan Rivers' ode to the kangaroo has bounce: "I
- could not eat a kangaroo./ But many fine Australians do." Betty
- White proudly defends the jackass. Even self-described animal
- hater Walter Matthau exudes empathy for the fossil. Proceeds go
- to various animal-rights groups.
- </p>
- <p> AUDIO
- </p>
- <p> Sound Samplers
- </p>
- <p> Books on tape are swell companions, but they demand
- prolonged concentration that's not always possible when driving,
- jogging or just puttering around the house. Not so with TRAIN
- OF THOUGHT (Com Audio; $49.95), a set of four audiotapes that
- invite repeated sampling. Available in bookstores, or via mail
- by calling 800-676-7166, each 90-minute installment is a lively
- melange of music and the spoken word. Readings are from authors
- as diverse as Truman Capote and Dave Barry; musical segments
- include European folk songs, Cajun tunes and tribal drums. The
- varied length of the pieces is well suited to the rhythms of
- other activities--but keep an eye on the speedometer during
- that mean New England fiddling.
- </p>
- <p> BOOKS
- </p>
- <p> Nastiness Tidied Up
- </p>
- <p> John Mortimer's novels are cozily old-fashioned, in a
- writerish sort of way. Nothing in them endangers the reader's
- psychological safety, because the author is always at hand,
- fussing about brewing tea, skillfully guiding his story to a
- tidy conclusion. Though this very English storytelling works
- well in Mortimer's Rumpole of the Bailey series, it jars in
- DUNSTER (Viking; $21). The title figure is an obnoxious
- journalist given to vindictive truth telling. His opponent in
- a libel trial is a decent, much admired corporate exec who,
- years before, may have committed a hideous war crime. What
- should be a powerful conflict between virtuous nastiness and
- flawed virtue is blurred by a weak narrator, the author's
- irritating surrogate.
- </p>
- <p> CINEMA
- </p>
- <p> Sex in the Head
- </p>
- <p> Handcuffs, yes. Hot candle wax dripping on Willem Dafoe's
- naked torso--that too. But the nipple clamps remain an
- unfulfilled promise. And so does BODY OF EVIDENCE, in which
- Madonna plays a woman on trial for murdering a lover by inducing
- a heart-straining sexual frenzy. It sounds like a promising part
- for the best-selling author of Sex. But movies get rated, and
- trying to stay on the sunny side of an R, this one turns into
- a static courtroom drama--and not very well made or played
- either. Madonna's function is to irritate the decorous and
- titillate the impressionable. It's a waste of her time (and the
- moviegoer's) to, er, shackle her to a respectability on which
- neither party can get off.
- </p>
-
- </body>
- </article>
- </text>
-
-